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Your art style is gorgeous! I love it! Artwod censors are sensitive when I talk about the body so I put the critique into the image. Sorry about that! I hope you can still read it.
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This piece is fantastic! I love the grand sense of scale and the character's design - there's not much I would personally adjust/add. What I think could push it more would be using more of that atmospheric perspective you had on the distant rocks; using that blue on the further faces of more rocks to show the gradual increase in distance. Using the light source you established, I also tried to deepen the shadows on the inside of the cape (and brightened the most forward part of it) so the character has slightly higher contrast to draw the eye; as well as filling out the cast shadow where he's standing to account for the whole cape. Your composition and level of detail are wonderful, and it looks to me like you're getting a really good grasp on light and colour from this!
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Melhore o controle de sombra e luz, a 3 min
Master pen and ink rendering through four progressive exercises: build value scales, shade basic forms, study organic objects, and create imaginary inventions using texture and light.
Rendering
The Heron Woman
GUYS!!! remember those heron studies i did not too long ago? Well, i turned it into an idea, a concept, if you will, and came up with this heron warrior. quite proud of it! what's more is that when she pulls down her mask, the bird's nostrils act as eye holes, making it into a rad frickin' mask! anyways, i want feedback. particularly on the rendering. i feel like i didn't take advantage of the heron's plummage texture enough, or like i was a bit carelss with my light source and cast shadows. but what do you all think? any other suggestions? please let me know!
Eternal Fight of the Wicked Part 2
Im the same creator of the OG drawing in the figure drawing section, I just decided to throw the drawing on a sketchbook app on my phone and play around with it. Feel free to critique it some fun ideas to play around with.
Feeling lost with values
I tried to create an illustration of Ichigori Ryu in a rain of dessert and I feeling quite lost when the rendering part came on. Like how do you choose if you need more contrast on the skin for example or less. It’s not finished but I would appreciate some guidance
6/7/26
Day 7
the lad and the neroh
I was studying grey blue herons today since i usually see them around my local lake and love miyazaki's films! Whilst doing these studies, i put on a peter han sketchbook tour for background noise, so that influenced my studies a bit with the observational notes and texture blocks and such. I also did 3d rotations, and even tried to figure out how the wing folded in. On either one of these things, how'd i do? Please let me know so i can push my drawings more towards that peter han skill level sort of direction!
6/7/2026
im having a hard time with constructer
June 30 Sketchbook Pages Challenge Day 7
I am happy with the pose and the objects around the character. The main problems I'm seeing in this piece are proportions. Firstly, the head is much larger than I intended, and it makes this character look like a young girl when I was going for a lady just getting back from work look. I had already drawn a face I was happy with and the hand felt believably placed on the head so honestly I couldn't muster the willpower to draw the head again at that point. I also think the left arm's above the forearm (do you call that an upper arm?) is short, and I am unsure about her right arm's proportions. I did spend some time fixing things in the construction stage, but I got hasty and did not double check when the figure was fully in, I actually extended the length of her right forearm by enlarging the elbow, and I think that helped. I could use some tips on dealing with proportions when dealing with dynamic angles. The one tip I already know I need is to fix all these problems in the construction stage!!! Thank you!
FIgure drawing
Which version is better constructed? I want my figure to have a downward-tilted pelvis and for the contrapposto to be visible. It seems to me that the first figure has more volume, but I’m confused by the fact that the front plane is higher on the side that should be lower, which is why the contrapposto isn’t noticeable.
Forcing myself to put my work out into the world
Original photo