Artist.
#8
Rango
92
Upvotes
40
Feedback dado
100%
Útil
“Yes, here are two examples how I would solve this body, one is with forms like cylinders and boxes, second follows simplified muscles forms. While using first try to include the body part within th”
“Hi, this is a very nice piece, here are my remarks: 1. If your light direction is from the bottom, you need to emphesize lit the right planes, in that case the bottom ones, insterad adding a rim li”
“Hi, here is my version for your still life. Since you are learning 3 values, my main advice would be Squeeze your eyes, look for shadow shapes, decide what part of a gradient goes to which value an”
“Hi, what a amazing piece, love the style and the way you use heart symnol to design. My only feedback will be to make head bigger and declutter it by removing the belt element. Couldn't leave it”
“Hi, here is an overpoaint where I tried to answer your questions. To achieve what you are after I have put more emphasis on her weapon, rendered it like a sphere, added cast shadow Second I have”
“Hi, to be like Karl Kopinski I'd say you need to be able to understand and simplyfy complex objects you are looking at. You need to be able to pin point how forms interact and wrap around each othe”
“Hi, if you are looking for place to learn those things, there is no better one than here at ArtWod. If you go into Leran tab there are courses available, some are free to expolore, the ones about a”
“Hi, nice drawing, to move with color I would approach it like that: Since I use Photoshop I would use levels to push lineart more into black, than Layer Style, activating by double clicking text fi”
“Hello, great entry, I like it a lot, clean design with nice gesture. Made a second half, struggled too, let me know what you think about it :)”
“Hi, very nice character design and execution of it. Here is my overpaint: Generally to move it forward I would suggest adding more volume in all forms, by introducing second shadow value. Tal”
“Hi, this is how I would paint the scales Two layers: Top for black shape for in between scales Under that general silouhette of the form that will have scales. Having that I add new layer and ”
“Hi, good that you are sharing your doubts. You can start creating any time you desire, don't hesitate to do so. There is a way of learning called "Project based appreach" Where you create a ”
“Hi, I absolutely adore you line work, it is good direction. Here is how I would restructure your portrait to add more anatomical features corectness: ( please note that I exagerate some features to”
“Hi, I like how you work with the lines, it is a good direstion. What I want to you to focus is the perspective, you are capturing the character i 3 point perspective, yet you are not ephesising the”
“Hi, I will say that your rendering is working out nicely in terms of metalic surface feel. What is an underlying issue, that feels off is the correct construction of elipses and object in general, ”
“HI, that's a nice idea. No need to be ashemed, you did a first step. What your drawing needs is refinement of forms. Try to pay more attention on how elipses work in perspective, out cuts of one”
“Hi, here is my drawing of the sculpture. For more volume look on the object as set of primitive forms, like cube, cylinder, sphere. Having that orient them in space, by establishing the horizo”
“Hi, here is my answer how you couldestablish the shapes with color, although I would say that it is not the way to go. Values are for shape design, color fills the value shapes, and deliver the inf”
“Hi, to bring volume to your painting you need to think about frrms, like cylinders, and try to indentify where such forms might exist , since snow accumulates and moves. To have volume use gradient”
“Hi, here is a presumed sketch for a hand, since it is hard to see over your lines, I did my best. THe box you are looking for and in my version indiocated in red, in forshortening visible on the re”
“Hi, great piece of art, I like the execution, here are some notes and the overpaint: 1. for story I would move and direct the characters to face the troll, they can protect a shrine, the girl is wi”
“Hi, to paint hair I use this approach: as you mentioned, blocking in big shapes with a color, keep your edges sharp. Neext I select the shape I want to paint inside, here you can do it number”
“Hi, the inking and therfore comic feel is on point, you did a good job! Now, going to your feeling of being lost, it can be tricky to manage bigger scenes, in your case I would say you need to narr”
“Hi, nice attempt, I like where your stylisation is going. To answer your question: 3 point perspective is a slolution to better capturing an angle of this face. If you try to emphasize most of t”