Pretty cute idea, really likes how you chose a more cartoony feel to it . Honestly fundamentals can be a huge hustle as they are not really "Fun" (pun intended 🙃 ), but soo much important. And i feel like that what makes them even more boaring is the tedious and irrelevant way in which we approach them in . Practicing fundamentals seems like quite a boaring thing, but it really doesn't have to, it's just that we have made our method of practice soo much irrelevant for real drawing that we loose our intrest in the act of practice altogether. It is way more engaging to make the practice in ways more relevant to drawing and treat "tedious practices" as just supplement to the progress. More on this later, You have also mentioned that you struggle with putting things on paper. I have been there, and the thing that propelled me from there was rather a mindset shift. The shift was that instead of thinking about "How do i draws exactly this thing" , i started believing that everything i draws is just a my interpretation of what is there ( even if dillusional , it serves me well ). I started to break down everything i saw, or imagined into my own interpretation. This really allowed me to draw whatever i wish to, what real or imagined . And what allow's that interpretation to happen are fundamentals. And this was really how i started to see the true relevance of the fundamentals, and they actually became more fun . If you are at a stage where fundamentals appears like a boaring thing, go and seek their implications. Something that helped me with this was this video by artwod channel where he discussed how to break down drawing subject into shapes and forms (i.e. our own interpretation ): "The subtle secrets of kim jung gi"

@saritos

Peindre

hi hi! Lovely artwork! I like the bright colors and you found a good spot for flat colors. Now we need to change our approach regarding shadows. Establishing a light source is necessary for a decent render, and in this case, it comes from the side. Align the character elements with the core shadow, arrange the shadows on a multiply layer, and choose a neutral hue for the shadows (typically warm for cool light and cold for warm light). Setting things up effectively and adhering to viewpoints that complement your framework are crucial. If you do this, your artwork will have more volume. As for the figure drawing, start with a basic geometric-shaped mannequin. It will enable you to comprehend how the volume of a human form interacts and overlaps with each component. Having a solid grasp of the basic structure of the human form will be very beneficial later in your artistic journey. You will not have any trouble drawing people in any position. One method for learning it is the Loomis technique. Happy learning!